Through famous poems, essays on translation theory, and our own experiments, this course will celebrate the ways in which great poetry underscores the fact that language itself is a translation. But sometimes they can be false as dreams.”, English 157.301 No prior requisites or experience with performance or the performing arts is necessary. Intro to Creative Writing English 145.301 Center for Programs in Contemporary Writing Is it better to quote at length—or merely to observe? Some playwrights we will read include Gertrude Stein, Suzan-Lori Parks, Maria Irene Fornes, Robert O’Hara, Young Jean Lee, John Jesurun, and Toshiki Okada. In this generative, interactive workshop we’ll investigate literary fiction technique through a series of directed prompts that will produce a portfolio of work ranging from fully realized stories to quirky experiments worthy of. Yet, the student is also urged to pay close attention to their own internal narrator, and to be mindful of the intuitive (and unconscious) powers at play in their writing. M 2:00-5:00. If you have further questions please contact: lps@sas.upenn.edu . But what of the more abstract, less concrete sixth sense of thought? DeMarco Van Cleve Permit from the instructor is required. A button on a sweater flashes us back to a day of gift giving. We’ll take inspiration from writers such as Margaret Renkl, Charles D’Ambrosio, Durga Chew-Bose, Elissa Washuta, Brian Doyle, Marc Hamer, and Alexander Chee. Wang Students will create a manuscript of at least 20 pages that both demonstrates excellence and internal coherence, but which pushes the twin notions of poetry and book into new territory. Spring 2021 Courses. Courses Spring 2021; Courses Fall 2020; Courses Spring 2020; Course Filter. M 4:30-7:30. To find the one that's right for you, search our online database of courses or browse by the type of courses offered. We’ll read a range of moving verse and prose by some of the most exciting contemporary writers as well as by classic figures in literature. This listing is current as of October 26, 2020 and is subject to change. What if you were there, for most of the term, as unobtrusively as possible, at his black-clad elbow?) In between, the enrollees will be pairing off and in effect serving as each other’s editor and coach and fellow (sister) struggler. spring 2021 approved course list edited 12/02/20 1 africana studies afrc-135 law & society elect cultural diversity in us 401 lec tr 4:30-6pm fetni h course online: synchronous format location: online cross listed: soci-135 afrc-321 war and peace in africa fp/sec elect; non-west We will talk about the craft of nonfiction and do periodic in-class exercises. Department of History College Hall 208 University of Pennsylvania Philadelphia, PA 19104-6379. history-dept@sas.upenn.edu 215-898-8452 Antonio Feros This course is open to all interested students. This CWiC critical speaking seminar takes as its starting point our shared participation in the experience of uncertainty. Art of the Profile R 1:30-4:30. How can we capture character in the lightest of brushstrokes? Prompts will help generate creative responses to assigned books, essays, stories, films and speakers, and students will work in teams to lead and participate in workshop discussions and contribute to peer review. Topic of spring 2021: “Baroque Opera from Monteverdi to Handel.” In this course we will explore, in roughly chronological order, a sample of operas from the Baroque period (ca. How can we efficiently create a sense of world and fullness? This advanced course in writing about the arts and popular culture (interpreted broadly) is limited in enrollment and focuses on a semester-long project that each student defines in consultation with the instructor. Below you will find a list of MBA courses slated to be offered during the Spring 2021 semester. Students will be introduced to the craft of writing through discussions of genres, styles, techniques and themes. The hybrid educational experiences for all students in the spring are likely to be similar to this fall: most classes will be delivered remotely, with limited exceptions, including courses with clinical experiences and in-person research required for graduation. The course will cover: (i) the basic biophysics of neural responses, (ii) neural coding and … Writing prompts will include ideas generated in class, along with procedural experiments and investigations of poetic form. Students will be admitted on the basis of an application by email briefly describing their interest in the course and their experience as a writer to bujo@sas.upenn.edu. English 010.305 Spring 2021 The goal of this course is to help students develop concepts, tools, dispositions and skills that will help them engage productively in the ongoing experiment of American democracy. English 115.301 We will listen to and discuss Springsteen's songs, watch documentaries and performances, explore his influence across the arts and culture (very much including style and fashion), and meet critics and artists who have engaged his work in meaningful ways. Several longer essays and a handful of shorter ones that will be generated by guided freewrites. We’ve updated our Social Impact Courses page so that Penn and Wharton students can explore and find a course that matches their interests for the Spring 2021 semester. Do you tape the interviews or just take notes? *Academic credit is defined by the University of Pennsylvania as a course unit (c.u.). Instructor ... M/W 10:30 AM - 12:00 PM. Admission to this class is by instructor permit. This course will incorporate a mix of synchronous and asynchronous components. English 115.302 TR 10:30-12:00. English 156.301 Do you tape the interviews or just take notes? So much of what we know about cities comes from the stories we tell about them. Occasional meetings of the full group will concentrate on issues relevant to all aspects of arts-and-culture writing, while meetings with individual students will focus and help realize the individual projects that will constitute the course’s main work. W 6:00-9:00, English 117.301 English 135.301 Lean prose is something students will study and learn to adapt in their own writing. The way life has surprised you, perplexed you, made you laugh, held you back, set you free. M 6:00-9:00. Biographies of these poets will reveal how historical events (from Franco's dictatorship in Spain to the birth of modern Senegal) have intertwined to influence each other and shape who we are today. Spring 2021 Course … Please send a writing sample (in screenplay form), a brief description of your interest in the course and your goals for your screenplay, and any relevant background or experience. DeCurtis R 1:30-4:30. R 1:30-4:30, This creative writing class is not about how to write good lyrics or hone a great tune; instead, it is focused on the potential of music to inspire your own writing. Students familiar with other languages will have the additional opportunity to work directly from the original. Long-Form Journalism with a brief introduction, plus a sample of your fiction as a .doc or .pdf attachment. Students will create a manuscript of at least 20 pages that both demonstrates excellence and internal coherence, but which pushes the twin notions of poetry and book into new territory. Chang To locate the strange, evocative, storytelling universes that are sealed inside the four rectangular walls of a photograph. When we do assemble as a group, we will be reading to each other as well as discussing the works of some long-form heroes—Didion, Talese, Richard Ben Cramer, one or two others you may not have heard of. This course is cross-listed with Cinema and Media Studies 117. Spring 2021 Undergraduate Courses. Level . Screenwriting This course takes the-city-in-stories as both our subject and our muse. In addition to intensely workshopping our writing, we will also read texts that exemplify and challenge the book as horizon, including work by Claudia Rankine, Divya Victor, Bhanu Kapil, Susan Briante and others. In essence, this is a kind of master course, limited in enrollment, and devoted to your piece of writing, to be handed in on the final day. A permit is required to join the course. Cinema Studies Program 209A Fisher-Bennett Hall ⋅ 3340 Walnut Street ⋅ Philadelphia, PA 19104 ⋅ (215) 898-8782 Any questions about this class can be sent to me at, College of Liberal and Professional Studies, Intro to Creative Writing: Memoir and Creative Nonfiction, Intro to Creative Writing: Poetry and Essay, Intro to Creative Writing: Speculative Pasts and Futures, Intro to Creative Writing: Fact and Faction, Intro to Creative Writing: Imitations and Writing in Form, Rip, Remix, Burn: Music as Poetry/Poetry as Music, The Translation of Poetry/The Poetry of Translation, Is This Really Happening? Goldsmith This class is designed to help students shape the stories they want to tell--stories that come from the experiences and imagination of the individual writer. English 515.640 A lot. It’s about the quality of your noticing, the intensity of your seeing. Please refer to your course syllabi for details about course format and attendance policies. Hendrickson Upenn Course Catalog Spring 2021; 2020-21 University Catalog < University of Pennsylvania Top catalog.upenn.edu. Term . TR 10:30-12:00. ENGL 392-401 Topics Film Studies: Cinema and Politics ENGL 392-401 Presentations will be open to the public with students in the course developing in-depth research into the work of each visiting artist/performer/presenter to engage the larger context of each visitor’s scholarship and/or practice through readings, discussion and in-class presentations. M 2:00-5:00, We’ll be reading and workshopping some of our most adventurous, pioneering nonfiction reporter/writers. The class will focus on learning the basic tenets of classical dramatic structure and how this (ideally) will serve as the backbone for the screenplay of the aforementioned terrific idea. Below you will find a list of MBA courses slated to be offered during the Spring 2021 semester. New Tools & Features New Rich Content Editor The New Rich Content Editor (RCE) is an update to the current text editor that provides … Several longer essays and a handful of shorter ones that will be generated by guided freewrites. Course requirements are a novella outline, a novella draft of approximate 40-50 pages, and final revisions. How can we understand extreme political, social, and environmental conditions as embedded in the ordinary? Make it loud. This course is cross-listed with WRIT (Writing Program) 138. Each week we will review classics in the genre, do in-class writing exercises, go on periodic “experiential” assignments, and explore how the art of playing around with the raw material of everyday life (i.e., “reality”) can make for great and unexpected stories. In this nonfiction workshop you will enlist essay and memoir genres to explore connections between the personal and the universal: in other words, your experience matters … but why? CWIC-affiliated course; fulfillment of writing requirement and permission of instructor required. It has also accelerated the pace of history so sharply that the course of events has become nearly impossible to predict. We’ll go from Mumbai, in Katherine Boo’s Behind the Beautiful Forevers, to Oakland, in Tommy Orange’s There There. Poetry invariably oscillates between a focus on its materials and its capacity to invoke (and challenge) worlds. No writing experience is necessary, but students must be willing to participate, revise their work, take risks, and be generous with themselves and others. Speculators variously want to know what the weather is going to be tomorrow, how fast a disease is going to spread, whether we will change our emissions practices or face mass extinction, what an anti-racist society would be like, which stock will be most profitable in six months, whether a family member with cancer has two years to live, or five, or ten. spring 2021 approved course list edited 12/02/20 1 africana studies afrc-135 law & society elect cultural diversity in us 401 lec tr 4:30-6pm fetni h course online: synchronous format location: online cross listed: soci-135 afrc-321 war and peace in africa fp/sec elect; non-west Philadelphia, PA 19104-3335, An introduction to the anthropological study of human social and cultural diversity throughout the world, with special emphasis on the development of the idea…, What was literature for the Greeks and the Romans? Occasional meetings of the full group will concentrate on issues relevant to all aspects of arts-and-culture writing, while meetings with individual students will focus and help realize the individual projects that will constitute the course’s main work. We’ll read speculative fiction that imagines near-futures of our planet, including works such as Octavia Butler’s Parable of the Sower and Annalee Newitz’s Autonomous. In this course, students will write scripts for theater and performance. English 512.640 Polman W 2:00-5:00, “Choose someone who touches some corner of the reader’s life.”—William Zinsser, on profile-writing. Knittle This course will focus on the songs, films, solo projects and life of Bruce Springsteen as a source of creative inspiration—which is appropriate, given that inspiration is the very blood coursing through the veins of his work. Give to Penn This class is designed to help students shape the stories they want to tell--stories that come from the experiences and imagination of the individual writer. Course Offerings In general, the hybrid educational experiences for students in Spring 2021 are likely to be similar to Fall 2020, although expanded in-person offerings are planned in limited undergraduate laboratory classes, senior design and independent study/research experiences. We will read and discuss creative work as writers focused primarily on craft, in order to build new writing of our own. We will be using searing and famous images from history books. Department of Classical Studies, University of Pennsylvania, 201 Claudia Cohen Hall, 249 South 36th Street, Philadelphia, PA 19104-6304 215-898-7425 / clst-info@sas.upenn.edu This course is appropriate both for students with previous creative writing experience and for students trying fiction writing for the first time. We hope this wide variety of offerings enables you to find a course that introduces you to … Authors will include Joyce, Spark, Hempel, Murata, Torres, and Kaysen. Penn Summer offers hundreds of courses. It is open to both creative writing and urban studies students excited to explore the intersections between our stories, our cities, and ourselves. Civil dialogue is an aspiration, a theory and a practice—and one of the most misunderstood terms in contemporary political life. Please check the course’s crosslisting to see if a seat might be available in another section. R 3:00-4:30. T 5:00-8:00. This workshop will explore not only advanced writing techniques in poetry but also the poem’s evolving relationship to the artifact of the book in the age of the web. If you're new here, welcome! For one, we employ the same devices that we already use to navigate our way through the world—that of our senses. This Catalog is intended to provide general information about the University of Pennsylvania and is accurate as of May 2020. The course presumes a lot of individual initiative and self-reliance. W 2:00-5:00. We will work across genres and disciplines, reading a mix of fiction and nonfiction in which cities figure prominently, from Italo Calvino’s Invisible Cities to Sarah Broom’s Yellow House. This way, the course hopes to take advantage of the on-line format that we will probably have to adopt in the Spring still (should in-person teaching be possible in the Spring already, we can connect with international scholars in the lecture room). This is a workshop-style course for students who have completed a screenwriting class, or have a draft of a screenplay they wish to improve. Please reach out to the instructor if you have any questions or need further clarification. Performance, a chaotic and unruly category that slides across music, dance, theater and visual art, has long been a container for resistant actions/activities that bring aesthetics and politics into dynamic dialogue. This course will cover selected topics on anonymous communication systems and other privacy-preserving technologies. In addition to in-class exercises that help participants tap into and visualize what they are writing, students will be asked to free write for 10-15 minutes daily. The curriculum will be tailored to the linguistic backgrounds of students who enroll, and some knowledge of another language is necessary, but all those curious about world poetry are welcome. English 170.301 Some playwrights we will read include Gertrude Stein, Suzan-Lori Parks, Maria Irene Fornes, Robert O’Hara, Young Jean Lee, John Jesurun, and Toshiki Okada. Now form a band.” to “This is a lyric. A focal text will be Jacket2’s feature on Conceptual Writing (plural and global) and other cultural productions. Because first and last, this is nonfiction, this is the art of reported fact. What are the best ways to assemble the essential ingredients of a good profile: facts, quotes, and/or anecdotes? A childhood book recalls the one who read the tale out loud. It is stopped motion, in which the clock has seemed to hold its breath. Discussion: Piazza. Screenwriting English 010.302 Intro to Creative Writing: Poetry and Essay Taije Silverman TR 10:30-12:00, English 010.303 Intro to Creative Writing: Ordinary Life Jess Shollenberger R 3:00-4:30, English 010.304 Intro to Creative Writing: Speculative Pasts and Futures Davy Knittle T 6:00-9:00, English 010.305 Intro to Creative Writing: Fact and Faction Marion Kant M 4:30-7:30, English 010.306 Intro to Creative Writing: Imitations and Writing in Form Ahmad Almallah R 1:30-4:30, English 010.307 Intro to Creative Writing Joseph Thomas TR 12:00-1:30, English 110.401 Writing for Television Scott Burkhardt R 4:30-7:30, English 111.301 Rip, Remix, Burn: Music as Poetry/Poetry as Music Kenneth Goldsmith R 1:30-4:30, English 112.301 Fiction Writing Workshop Karen Rile M 6:00-9:00, English 113.301 Poetry Workshop Laynie Browne R 1:30-4:30, English 115.301 Advanced Fiction Writing Max Apple T 1:30-4:30, English 115.302 Advanced Fiction Writing: The Novella Weike Wang W 2:00-5:00, English 116.401 Screenwriting Kathleen DeMarco Van Cleve M 2:00-5:00, English 116.402 Screenwriting Scott Burkhardt W 2:00-5:00, English 116.403 Screenwriting Scott Burkhardt W 6:00-9:00, English 117.301 The Arts and Popular Culture Anthony DeCurtis R 1:30-4:30, English 118.301 Advanced Poetry Writing Workshop Ron Silliman W 2:00-5:00, English 120.401 The Translation of Poetry/The Poetry of Translation Taije Silverman TR 12:00-1:30, English 125.401 Is This Really Happening? English 120.401 Greenspan Department of Classical Studies, University of Pennsylvania, 201 Claudia Cohen Hall, 249 South 36th Street, Philadelphia, PA 19104-6304 215-898-7425 / clst-info@sas.upenn.edu For models, we will read from a wide range of newspapers, magazines, and websites. Ideally, students will informally serve as each other’s editors, sharing suggestions, sources, approaches and encouragement. This class will push beyond the formal structures of the well-made play script and address how writers use form and language to celebrate cultures or as a means for radical change in the field of performance. How does identity impact the way we represent, experience, and define what’s ordinary? A course unit (c.u.) A focal text will be, Conceptual Writing (plural and global) and other cultural production, In this class we will study and translate major figures in 20th-century poetry, including Aimé Césaire, Shu Ting, Wis. awa Szymborska, Dahlia Ravikovitch, Yun Dong-ju, Mahmoud Darwish, Anna Akhmatova, Paul Celan, Léopold Sédar Senghor, and Giuseppe Ungaretti. English 010.307 W 2:00-5:00. “Question your tea spoons,” Georges Perec advised, or “that which seems to have ceased forever to astonish us.” In this workshop-based course, we will follow Perec’s maxim—to attend to and interrogate the mundane objects around us—with the caveats that Life in a Pandemic has imposed. The course will be run something like a group independent study, in which students pursue their specific, personal projects and share their work on an ongoing basis with the class as a whole. A novella is defined as a long story or a short novel. Department of Chemistry 231 S. 34 Street Philadelphia, PA 19104-6323. web@chem.upenn.edu Phone: 215.898.8317 Fax: 215.573.2112 David W. Christianson Center for Programs in Contemporary Writing, Copyright © 2021 The Trustees of the University of Pennsylvania, This workshop-based course considers speculation as a primary strategy for both critical exploration and creative writing. Phone: 215-898-1782 Josephine Park A photograph represents time stopped in a box. How can we efficiently create a sense of world and fullness? We will ask the question, why write at all? The more vivid the details of sight, touch, smell, taste, and sound, the more immersed the reader will become in the author’s re-created world of words. Philadelphia, PA 19104, 215-898-1696 The course is cross-listed with Gender, Sexuality, and Women's Studies 514 and Latin American and Latinx Studies 514. Cities and Stories Goal of the class: from “, Brush up your backstory and polish your point of view! Some speculate to imagine a future that breaks with histories of violence, while others speculate to profit from existing inequalities. It was three decades before you were born. New Tools & Features New Rich Content Editor The New Rich Content Editor (RCE) is an update to the current text editor that provides an updated, condensed,… After all, it is our mind that perceives and finds the subjective meaning in experience. This workshop will explore not only advanced writing techniques in poetry but also the poem’s evolving relationship to the artifact of the book in the age of the web. In addition to intensely workshopping our writing, we will also read texts that exemplify and challenge the book as horizon, including work by Claudia Rankine, Divya Victor, Bhanu Kapil, Susan Briante and others. Whether the figure in the photograph is alive or deceased, you are now going to try with all of your writing and reporting might to “walk back in.” Almost literally. 3809 Walnut Street Creative Nonfiction: Look In; Look Out How a Story Works: The Art of Fiction M 2:00-5:00. You may take as many of your spring 2021 courses P/F as you choose. The group will meet at to-be-determined intervals. Is data privacy something we should no longer expect? Millions of Americans are science-illiterate; a growing number are "science-deniers." The final exam covers the material in lectures #13 … The lifelong learning division of Penn Arts & Sciences, 3440 Market Street, Suite 100 Permit from the instructor is required. W 2:00-5:00. We have a course Piazza page. Please check the course’s crosslisting to see if a seat might be available in another section. We’ll explore—and practice—some of the key elements of profile-writing: gaining access to the profile subject; conducting an effective interview and extracting quotes that reveal the person; observing the profile subject in action, and extracting details that reveal the person; making the profile subject compelling—and, ideally, relatable—for the reader. It will be used for homeworks. It might be documentary in nature, which is to say an extremely close-up observation of your subject. T 1:30-3:30. The best contemporary poetry, regardless of emphasis and commitments, no longer is simply a hodgepodge of recent writing. Contact. Below in alphabetical order by department, we’ve highlighted just a few of the many undergraduate and graduate courses available. Are you a friend, a confidante, or a manipulator? Each student should, by the end of the semester, have at least thirty pages of a screenplay completed. This class will push beyond the formal structures of the well-made play script and address how writers use form and language to celebrate cultures or as a means for radical change in the field of performance. This course is cross-listed with Gender, Sexuality, and Women's Studies 086 and Fine Arts 086. In this class we will study and translate major figures in 20th-century poetry, including Aimé Césaire, Shu Ting, Wisława Szymborska, Dahlia Ravikovitch, Yun Dong-ju, Mahmoud Darwish, Anna Akhmatova, Paul Celan, Léopold Sédar Senghor, and Giuseppe Ungaretti.
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